Kornél Mundruzcó, who recently staged the opera »Sleepless« by Peter Eötvös, which was awarded the Staatsoper »Premiere of the Year«, emphasises the relevance of the material today in his interpretation. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality.
Kornél Mundruzcó, who recently staged the opera »Sleepless« by Peter Eötvös, which was awarded the Staatsoper »Premiere of the Year«, emphasises the relevance of the material today in his interpretation. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality.
Kornél Mundruzcó, who recently staged the opera »Sleepless« by Peter Eötvös, which was awarded the Staatsoper »Premiere of the Year«, emphasises the relevance of the material today in his interpretation. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality.
Kornél Mundruzcó, who recently staged the opera »Sleepless« by Peter Eötvös, which was awarded the Staatsoper »Premiere of the Year«, emphasises the relevance of the material today in his interpretation. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality.
Kornél Mundruzcó, who recently staged the opera »Sleepless« by Peter Eötvös, which was awarded the Staatsoper »Premiere of the Year«, emphasises the relevance of the material today in his interpretation. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality.
Kornél Mundruzcó, who recently staged the opera »Sleepless« by Peter Eötvös, which was awarded the Staatsoper »Premiere of the Year«, emphasises the relevance of the material today in his interpretation. The piece is a drama about a woman’s soul as well as a modern fairy tale that raises questions about identity and physicality.